Showing posts with label heavy metal. Show all posts
Showing posts with label heavy metal. Show all posts

Friday, 20 April 2018

Skindred, CKY and Danko Jones Gig Norwich 2018

I had the pleasure of seeing Skindred live again last night, along with CKY and Danko Jones. I'm really shattered from standing for so long but I wanted to write a little something to mark the occasion.


Danko Jones got things up and running with more energy than I really expected for the first band up. I thought they were really good.


CKY were up next and I felt a bit indifferent towards them. I was very tired by that time though, so it could have been more about me than them.


Skindred were up last and rocked the place, as they did when I last saw them. Benji is a cheeky chappy, and their ragga-metal sound infected the crowd from the get-go. They played a good mixture of songs, and new track That's My Jam is certainly growing on me.


All in all a great gig, and thank you to my friend Paul for getting me a ticket as my birthday present.

Thursday, 21 December 2017

Metal Bands That Have Done It For Me This Year

Although this year has been full of big metal releases, I can't say that many have actually stuck with me. I find myself returning to albums a few years old rather than the newer stuff, although there have been some exceptions. Zeal & Ardor's Devil is Fine probably sticks in my mind the most as it really is a fusion of musical genres that you'd never imagine putting together, that of chain-gang spirituals and Norwegian black metal. I did review it here if you fancy a more in-depth read. Below are some embedded YouTube vids of the bands that are on my permanent rotation.

Oh, and being metal vids, there is probably gore/self-harm, nudity, the usual stuff, so if you don't like seeing that kind of thing, best not watch them.

Zeal & Ardor



Slipknot



Korn


The Cumshots

The lyrics and music of this band probably best express my feelings 90% of the time. I'd love to see them live one day.

Ghost B.C

Dagoba


I'm wracking my brain for more but I keep coming up empty. I couldn't get into Mastodon's new album, which is a shame as I loved Once More 'Round The Sun. I've also not been able to get connected to other new albums this year, for whatever reason. Not a very musical year for me, in any genre particularly. It's probably just something with me that is different at the moment. Oh well. Happy holidays/ Merry New Year.

Tuesday, 8 August 2017

Rockers Sanguine Release Sun-kissed Video for Breathe

Sheep skull appropriators and venue rockers Sanguine have just released a video for Breathe, a song from their album Black Sheep.

Sanguine
Photo credit: Dan Sturgess
When I reviewed Black Sheep last year, I noted the split between the rawkish heavier tracks and the quieter, calmer offerings. Breathe falls into the latter category, and certainly showcases frontwoman Tarin Kerrey’s vocal abilities. The video shows Tarin walking abandoned sun-kissed streets, shedding both mental and physical attachments as she goes. The music itself sees Sanguine teaming up with Ex in Flames guitarist Jesper Strömblad to create a delicate and spacious backing to Tarin’s vocals, a bit like laying a clean, crisp table cloth underneath a nice meal.

I saw Sanguine when they came to Norwich as support for Mushroom Head, but since then they’ve landed (deservedly too) more great spots alongside the likes of Fear Factory, Skindred and HellYeah. On a personal note, I do prefer Sanguine’s heavier numbers, particularly because Tarin has a tortured screech that would unnerve even the calmest of vicars, but I certainly appreciated their more tranquil numbers when I reviewed Black Sheep. I guess it’s a bit like being beaten up by someone, but instead of them running away, your attacker hangs around and insists on holding ice to your bruises afterwards.

Below is their new video, but click the Watch on YouTube button so that you can give it a decent look. If you haven’t checked out Sanguine yet, you can find more about them on their website at this link. You can also find my review of Black Sheep at this link.


Tuesday, 11 April 2017

Dark Music Review – Devil is Fine

Dark Music Review – Devil is Fine

Review Written By Casey Douglass


Devil is Fine Cover Art

Imagine this: Django sacrifices a goat on stage while intimidating slave chants roar and screeching guitar riffs burn in the background. Then the rhythmic chain rattling evoking a satanic summoning makes way for the eerily familiar melodies of Norwegian black metal.

What do you get if you cross the spirituals of a slave chain gang and black metal? You get something like Zeal and Ardor’s Devil is Fine, a creation that adopts aspects of each style, makes some creative twists, and then puts them back together again to birth something that is quite brilliant. And I almost missed out on it.

I’d heard some of the info about Zeal and Ardor, checked out a little bit of title track Devil is Fine and decided it didn’t really click with me. In my ignorance however, I didn’t pay attention to the fact that the chain gang spirituals' words had been changed to worship the devil rather than god. It was a few weeks later and a revealing interview read in Metal Hammer that sent me scurrying back to YouTube for another look at the video. I bought the album on my next trip into town, and I have well and truly clicked with it now.

Devil is Fine makes great use of the associated elements of a chain gang, from the distinctive soulful vocals to the clinking of chains and the clapping of hands to add rhythm. From the metal side of the camp, frenetic strumming, tortured notes and the recognisable sound of the classic metal roar are all used to great effect. Come on Down is a track that is a prime example of this. Beginning with the lyric “I can’t see no devil in the field” a few repetitions later, it’s joined by the artfully played notes of an electric guitar and the aforementioned roar, before quietening again and shortly after giving way to a seriously ear-wormy “oooh ooh ooooh” backing vocal. This is something a few tracks on the album do very well, the slow build and release of an audio roller coaster.

Another reason that I found myself warming very quickly to Devil is Fine is that I have an immediate interest in anything that adopts the tone of devil worship, from books set in Hell to other bands (see Ghost). As far as Devil is Fine, the slaves are turning to Satan as an act of turning away from their Christian captors. Manuel Gagneux, the creator of Zeal and Ardor, spent a lot of time researching the occult to get things right in this regard. The artwork on the front features real slave Robert Smalls and the logo over this is the Sigil of Lucifer.

The words used in the lyrics on Devil is Fine just get to me in that sacrilegious way, but none more so than those found in Blood in the River:

(Backed by chains clanking and echoing beat):

“A good god is a dead one,
a good god is the one that brings the fire.”

And:

“A good lord is a dark one.
a good lord is the one that brings the fire.
the riverbed will run red with the blood of the saints and the blood of the holy”.

I mean, holy shit, you’ll find no punches pulled here, and I love it, all added to by the heft of a metal core.

There are other surprises on Devil is Fine such as more electronic-based tracks to break things up, a xylophone/glockenspiel type music box quality to Children’s Summon, and a final track that seems to be the audio equivalent of candy floss, something seemingly light but still hinting at sadness (particularly in the case of real candy floss, when you could have eaten something far more tasty than flippin’ candyfloss).

Devil is Fine is a more than fine album (aha!). It’s not very long, which only left me wanting more, although it does lend itself to easy repeat listening due to it’s brevity. If you like the subject matter and music styles involved, you should can check it out here. You can also check out Come On Down below:




Album Title: Devil is Fine
Artist: Zeal and Ardor
Released: 1 March 2017
Label: Radicalis, MVKA Music

Thursday, 30 March 2017

Dark Gig - Ghost

Ghost

Last week I was fortunate enough to have the chance to see Swedish heavy metal band Ghost live, in the flesh, at the Norwich UEA LCR. They were very very good.

Synthwave duo Zombi were the support, and I must admit, really not to my taste, even though I tried to be open-minded as they played song after song. I was relieved when they actually finished their set as I found myself growing very bored. Judging from the other people in the crowd, I wasn't the only one. I don't think Zombi were a good choice to support Ghost. While they might share the odd electro sound with Ghost, I think another, heavier band would have been a wiser choice.

Ghost

Ghost themselves were excellent, the Satanic religious aesthetic played to the tee, the smoke, choir music and effigies of Satan backing the stage all mingling with Papa Emeritus and his chrome faced Nameless Ghouls as they belted out song after song. Their playlist seemed a pretty even split between their Grammy Award winning Meliora album and the previous Infestissumam. Personal highlights for me were "From The Pinnacle To The Pit" and the goose-bump raising "He Is". Ghost were everything I had hoped for and I would definitely see them again in future if the chance comes my way.

If you aren't familiar with Ghost, watch the video for Square Hammer below:


Saturday, 8 October 2016

Why I Think that Korn’s “Rotting in Vain” Music Video is Amazing

Why I Think that Korn’s “Rotting in Vain” Music Video is Amazing

Written by Casey Douglass



Every once in awhile, I find a music video keeps pulling me back for repeat viewings. It doesn’t happen that often, but lately, I just can’t stop watching Korn’s music video for “Rotting in Vain”, a song from their upcoming album The Serenity Of Suffering. At various times in the last few weeks, I have been thinking about the video and what exactly it is that I like about it. These musings got funnelled into this semi-introspective piece of writing, which you may or may not find interesting; I just wanted to write it.

First up, I like Korn. I haven’t clicked with every one of their albums but there are a good number of songs that would probably sit high if I ever had to write a personal top 100 metal songs chart. I guess what I’m saying is that I am not predisposed to like something just because it’s Korn, but I do generally like their stuff.


The first thing a viewer of the video for “Rotting in Vain” will see is none other than Mr Tommy Flanagan, an actor that I have come to rate very highly, particularly for his role as Chibs in Sons of Anarchy. He does the “steely-face but twitches of inner turmoil” thing very well, and seeing him in a video such as this really adds to the video’s effect.


Up next we see some strange steampunk contraption with lots of bulbs and a strange gas mask attached via a bendy tube. It isn’t long before Tommy’s character rams this mask onto his face, and, whether inhaling or screaming, triggers the appearance of the band members in various rooms, emerging from leaves and other debris as the track’s heaviness comes out to play.


I could probably search the internet to see what the video really means, but finding your own meaning in things is much more fun. To me, the run-down house is likely the rooms of Tommy’s character’s mind, the dark spaces where his troubles and agonies roam. The strange steampunk machine puts me in mind of the old fashioned opium dens seen in other steampunk settings, facilitating his reflections, but also a kind of an addictive drug too, likely keeping his pain going or even making it worse. The video ends with him slashing the tube with a razor, which seems to be another sign of an addict, but this time one who is deciding that enough is enough. I think most people will be able to relate to having to give up some addiction or vice, for the sake or their mental or physical health. Mine seems to be eating too much, but slicing a cream-cake in two simply makes it easier to eat, rather than look like a grand gesture.


Of course, the other half of the equation is the music, and with this video, the effect of the two seems doubly amplified. The chorus hits all the right notes with me, tapping into my recent moods and feelings, which is no doubt where another large part of my affinity for this video comes from:

“Digging deep inside of me,
getting past this agony,
I can’t seem to get away,
Another day rotting in vain.”

These four lines sum up so much about how I currently feel about life, it’s kind of uncanny. Add in the hoarse screaming of “vain” and the ear-hammering riffs, and this song is enough for me to buy the new album, even if I don’t hear a single one of the other tracks before hand. I don’t often say that about the music I buy.

I think that about sums it all up. I’ve linked to the video below so you can see it and hear it in its full glory. Korn’s new album The Serenity Of Suffering is released October 21st and is from Roadrunner Records.


Rotting in Vain Video Images © Copyright Roadrunner Records

Tuesday, 26 April 2016

Dark Music Review – Black Sheep

Dark Music Review – Black Sheep

Review Written By Casey Douglass


Black Sheep Album Cover
Sanguine were a band that I’d not even heard of a month ago. Some light YouTube music video watching before a gig at the start of the month presented them as probably worth watching live but I'll admit that I didn't instantly click with them. After seeing them live however, I came to appreciate them a whole lot more.

Sanguine is a 4-piece metal/rock band that hails from Devon and is made up by Tarin Kerrey, Nick Magee, Matt Feld, and Ross Andrew, and they put out some seriously ear-worming tunes. Since Black Sheep arrived around five days ago, I’ve listened to hardly anything else. That doesn’t often happen to me so I know it has well and truly penetrated my audio gland. I think the standout feature of the music for me is lead singer Tarin’s vocals. She has a syrupy sweet voice in which she sings many of the lyrics of each song, but in other instances, she drops into an amazing rip roaring yell. In some tracks, this yell almost seems to take on an “overtone singing” style aspect, managing to be both light and dark at the same time. The best way I can describe it is that, mid bellow, Tarin’s voice could probably flay the skin from your bones, but also kiss it better at the same time. The interplay with Nick’s growly shouted vocals that frequently occurs throughout Black Sheep is also a most welcome dance of sound, bouncing off each other to create interest and impact.

As far as the broad feel of the album, there is a decent split between the more rawkish heavy songs and the more chilled and quietly introspective ones. The opening track “Breaking Out” gets things off to a flying start, the warbling swells of guitar, punchy drumming and Tarin’s amazing yells punching the listener in the gut and saying “Listen up!” The next few tracks are also in the heavy punchy vein, from the ear-worming “du op du op” (for want of a better word) section of “Pretty Girl”, to the bombastic drums and catchy riffage of “Save Me”, they are songs that are best played at a volume loud enough for you to feel the vibrations through the floor.

Track five “Carousel” sees a slight departure from the heaviness, a quieter and more playful track in which the vocals and tempo do a great job of creating the audio impression of the titular carousel. It’s a rousing track, and the crescendo around the midpoint is another seriously ear-wormy bit of music, the guitar solo, pluckiness and drums carrying the lyrics into your “Rattle around my head for the rest of the day” mental space. The other quieter tracks are also as skilfully made, the ethereal “Do you see me” lyric of “Breathe Out”, the airy vocals and gentle guitar of “The Blue” and the slowly building euphoria of “Whole World” are all fantastic tracks.

If I had to choose a favourite track (and I haven’t mentioned every track above), it’s a tough choice between “Breaking Out” and the titular album track “Black Sheep”. I think “Black Sheep” edges it. A rumbling heavy start is joined by Tarin’s sweet vocals with the odd touch of rawk. She is soon joined by Nick at the chorus, which is where she goes full supersonic. I particularly liked the lyrics of “Black Sheep”, the distorted whispers of Nick saying: “I feel like I don’t belong here” and “The people who surround me wouldn’t notice if I died.” These words all tap into various dark feelings I am sure many of us feel or have felt. The context of Tarin’s screams takes on the extra aspect of pent up rage and frustration if you really focus on the words. Nick, by coincidence, found a dead sheep on Dartmoor and had recently been given a crash course in bone carving. The end result is the carved sheep skull on the cover of the album that was a perfect fit for the already decided album title of Black Sheep. I love these kinds of dark coincidences. Well, I seem to have talked myself into liking “Black Sheep” even more than when I started writing this section. It’s funny how analysing why you like something can increase your sense of connection with it.

If you couldn’t tell from the tone of the last however many words (around 700, don’t be lazy Casey, use the word count tool!), I really rate Black Sheep and would give it a fantastic 5/5. If you enjoy bands with a good range, catchy songs and darkness seeping through even the most light-hearted of words, Sanguine are well worth checking out. Their music videos are also well worth a watch. You can see the video of “Save Me” below with interesting footage from director Tyson Wade Johnston's award winning sci-fi short film 'Lunar' :



You can also watch the lyric video for “Black Sheep” below:


Be sure to check out Sanguine live if the opportunity arises. They are an energetic band that know how to put on a show, as you can hopefully see from this gif I created from footage I was able to record at their Norwich gig:


Visit Sanguine at their website here for places you can buy Black Sheep and other merch like cool t-shirts and caps.

I was given a free copy of the album to review.

Album Title: Black Sheep
Artist: Sanguine
Genre: Metal
Release Date: 29th January 2016
Label: Omn Label Service 

Thursday, 31 March 2016

Dark Gig - Crossfaith

Last night I went to a very enjoyable gig at the Waterfront in Norwich. On the bill were The One Hundred, Quemist and Crossfaith. I was most interested in Crossfaith, as since seeing them at the UEA with Skindred last autumn, I've found myself listening to their albums more and more.


The One Hundred were okay, they didn't really grab me but I didn't dislike them. Quemist sounded very cool and I think I will check out their album as they might be another band for me to enjoy. Crossfaith were absolutely belting. They seem to bring so much energy to their performances and the crowd interaction is great to see as well. Crossfaith are now the first band I have seen live twice too, so I hope they are aware of the enormity of that fact and now know that they can retire whenever they like and they won't achieve more. I'm joking of course. Great gig guys, hope you come back to Norwich soon.

Monday, 7 March 2016

Four Years On...

Four Years On...
Once again I find myself at the birthday of my website, another year has passed and in that time, I have done various things and am now taking the time to mull over what a few of those things were.

Thanks to an opportunity through Geek Syndicate, I managed to get a couple of my articles on the blog portion of the Huffington Post website. (These were: Gaming Rituals and Obsessive Compulsive Disorder Version 2.0). I’ve continued to write and edit for the guys at Geek Syndicate, including a timely Xmas article about Mindful Bingewatching, and hope to continue doing so for a long time to come. 


My fiction “Unravelled” made it into the Irrational Fears anthology from FTB Press. This was another nice milestone for me as it was someone else publishing some of my fiction and paying me for the privilege.

I’ve reviewed lots more dark ambient music and, as always, I am thankful to the people who send me their creations to listen to. Alongside heavy metal, dark ambient is my other music genre of choice.

I wrote a number of articles for ME/CFS website Foggy Friends which looked at mindfulness, electronic relaxation aids and ASMR. This was a nice change of pace for me and they were topics that I found very interesting and relatively easy to write about, as they fall into areas I already have a fair amount of knowledge about.


I’ve seen some great live metal bands: Coal Chamber, Soil, Skindred, Crossfaith, and most recently, Machine Head.


I’ve also lost a few stone in weight and seem to have stamped out a lot of my more minor Obsessive Compulsive Disorder behaviors, even though certain large areas of anxiety still remain, so it’s some progress at least. It’s a shame my Chronic Fatigue Syndrome is still a total fucker however.

I don’t have specific hopes for the year to come as I’m sure it will be shit in ways I can’t imagine, and good in other ways I can’t imagine, so why bother trying. I just hope I can progress and get my writing to a higher level in the ways that matter.

Thanks for reading, and if you know anyone looking for a freelance writer, particularly in the areas mentioned, please send them a link to my website, that would be amazing.

Friday, 4 March 2016

Dark Gig - Machine Head

Machine Head at Norwich Open 2nd March 16

A couple of nights ago, I was lucky enough to be able to spend an evening with Machine Head at Norwich Open, one of the first metal bands that I was introduced to when I was at college. I don't really want to write a review or go too in-depth but it was a great night, very tiring, but well worth seeing Robb and the boys belt out some heavy medicine for my ears to feast on. Come back soon chaps!

Friday, 23 October 2015

My Favourite Heavy Metal Albums of 2015

My Favourite Heavy Metal Albums of 2015

Written by Casey Douglass


2015 is almost over, thank fuck for that! As the nights draw in and the temperature strangely stays quite mild, I thought I would write a brief post about some of the fantastic heavy metal albums I have listened to this year. Some of the albums may be from 2014 too, I'm that much of a maverick you see. It won't be in depth, it might not even be to your own taste, but on the other hand, it just might send you scurrying to wherever you buy your music in the hope of listening to more. Who knows!

In no particular order:

Mastodon - Once More 'Round The Sun

I tried to get into Mastodon years ago but didn't really take to them. Roll on January this year and I heard a track on the Metal Hammer CD and quite liked it. I swiftly bought Once More 'Round The Sun and it has become my most listened to album this year. Mastodon have created an album that is both at once an echoing vocalled paradise and also a glorious mash of guitar riffs and solos. They also have a knack for making some truly crazy and strange videos. Check out the video for Asleep In The Deep below:


In This Moment - Black Widow

I bought Black Widow at about the same time I picked up Once More 'Round The Sun. I'd seen Big Bag Wolf on YouTube and fancied catching some more of Maria Brink and In This Moment's ear-worming brand of metal. You can check out Big Bad Wolf below:



Coal Chamber - Rivals

Coal Chamber were probably one of my most listened to metal bands when I was at college. I loved their brand of heavy as hell metal and Dez Fafara's gravelly vocals. I also had the chance to see them live just before Rivals was released. Sway almost brought the Norwich Waterfront's roof down, such a great song. Check out I.O.U Nothing below (it's quite bloody, in a comic way):



Ghost BC - Meliora

Another band discovered by virtue of Metal Hammer magazine's cover CD. A sinister Satan-infused style of music that is interesting to listen to, intricate and has a great sound that seems to demand attention. I'd love to go and see them live one day. Watch From The Pinnacle To The Pit below:



Fear Factory - Genexus

Another band that I enjoyed a lot while at college. Genexus, their latest album is just more Fear Factory, their own dark vision of a technological future writ large by Burton C. Bell's vocals. Check out Soul Hacker below, one of my favourites:



Not an exhaustive list by any means but one that details what I have been listening to the most this year, when it comes to my metalhead tendencies anyway. Cheers for reading and feel free to comment below, whether to call me a nu-metal newb or to suggest bands I might like to check out, I'm not fussed which.

Wednesday, 18 February 2015

Dark Gig Review – Black Label Society

Dark Gig Review – Black Label Society

Written By Casey Douglass


Black Label Society

We entered the Norwich UEA’s LCR to the strains of Crobot’s last song of the evening, which was a shame. Of the two support bands listed, Crobot was the one that I had most hoped to see at the Black Label Society gig last night.

We listened to the sound-system pumping out various rock and metal tracks as the temperature in the room fought with the chilled Cider shandies in our hands. Yes, Cider shandies, I don’t seem to be able to stomach alcohol anymore. Not that I couldn’t enjoy the aroma that permeated the air from spillages and others’ breath.

Next to take to the stage was Black Tusk, a band I knew nothing at all about. Hailing from Georgia, USA, their wiki lists their genre as variations of thrash, sludge and stoner metal. They rocketed through their songs with barely a moments pause which gave their performance an interesting pace. Their early songs were more thrash than anything, and left me feeling disinterested. As they neared the end of their set, the tone changed to more drawn out, heavier and brutal metal that made my chest shake with the vibration of the bass-guitar. I ended up warming to them, even as I began to feel really rough standing for so long.

Black Tusk departed the stage and the crowd began to grow excited as the crew uncovered Black Label Society’s equipment. A wall of amplifiers nestled either side of the drum-kit, glowing red lights glaring with malice at the fans. It was almost as if they were saying ‘Kiss your hearing goodbye!’ Then Zakk Wylde’s microphone stand was placed in the centre of the stage, skulls clinging to it half-way down like pale lichen. There was a further period of waiting as the sound system belted out Nine Inch Nails and some other songs that failed to get my attention.

Black Label Society

The house lights dipped as the crowd sang along to one more song, and then Black Label Society strode out and started to lay down their own brand of heavy. Zakk’s vocals were loud and powerful, the drums hard and belting, just everything you would want. Midway through the first song, Zakk put his guitar behind his head and plucked as perfectly as if it was in front. The crowd approved. He also took to the small platform off to his left for the solos, a nice touch in an admittedly intimate venue. I must admit that I am a bit out of touch with recent Black Label Society albums. I have some of their older ones but nothing more recent. I didn’t recognise half of the songs I heard but that didn’t diminish my enjoyment of them one bit.

Before I knew it, we were at the interval, the band members heading off-stage for a quick drink and whatever it is they do out of sight. Not Zakk though. Zakk soloed for what I guessed was around ten minutes straight. It went on and on and on, a guy ahead of me kept putting his hands on his head in disbelief. Zakk moved around the stage and carried on and on. Sweat dripped from his fingers every few seconds. He was still playing as the other band members came back, and they finished his hanging note together.

The latter part of the gig saw Zakk take to the keyboard and do some of his quieter songs. I’m not such a fan of these but they were a great listen none the less. The last two songs however were the two I had hoped I would hear and had pretty much given up hope of hearing. They belted out Concrete Jungle and Stillborn, each with their own twists and embellishments. They are two of my favourite Black Label Society songs and I am just so happy that I got to hear them live.

At the very end, Zakk stayed on stage the longest and thanked the fans, taking the time to salute them, bump fists, shake hands and smile. You could see it was 100% genuine emotion and it was a great way to round off the gig.

Black Label Society
Today, I feel so fucking rough and my hearing has no bass; even a flushing toilet sounds like a crinkling carrier-bag, but it was worth it. It was a pleasure to see a band of Black Label Society’s calibre playing a smaller venue like the UEA LCR. There have been some great bands coming to Norwich in recent years, some I missed like Machine Head, some I caught, like Lacuna Coil at the Waterfront. Now I have another to add to my list of ‘seens’, or maybe that should be ‘heards’.

Rating: 5/5

Sunday, 28 October 2012

Dark Fiction - Heavy Metal


Dark Fiction Image

Heavy Metal

By Casey Douglass



The fog deepened as he walked, the echoes of his footsteps swallowed by the milky darkness around him. He smiled to himself, it was a very fortunate occurrence, as fabricating a thick fog like this would be very draining for him. Sometimes nature just gave you a hand.
The street was empty, which was odd for this time of night in the city. High rise offices in the distance loomed like silent sentinels, blocking out the first stars of the evening with their black bulk. Small particles of moisture in the air swirled and eddied around dirty street lights, which strained to give off more light than a candle which was about to burn itself out.
He sighed heavily. He missed candles. Oh he knew they were around, but not like in the old days when entire houses were lit with them, the flickering flames dancing against the carefully sculpted décor...a much richer time for everyone, especially him.
Glancing down, he straightened his black t-shirt with its satanic pictograph, hesitated, and then messed it up a little once more. He caught sight of his ripped jeans, the heavy pewter chains clinking gently with each stride. Such vulgarity.
The sound of laughter pulled him from his quiet introspection as a group of teenagers rounded a corner ahead of him, their backs to him as they headed the same way he walked. He heard the muffled chirping of a mobile phone, the laugher coming every time it made the humorous noise.
The vein in his right arm started to throb. He wondered if it was hunger or annoyance, but he wasn’t sure. The gaggle of teens turned the next corner and began down the hill to the venue, other lone stragglers joining them from other directions as they got nearer to the main door, all converging on their place of worship, most wearing Lacuna Coil clothing. The vague thump of music reached his ears, the sound proofing doing a remarkably good job of not unsettling the locals who lived nearby. The river behind the building glistened in the reflected light that travelled from street lights to fog to water, a silvery serpent just moving through.
‘Ticket please?’
He flinched, surprised that he had reached the door with its surly guardian so quickly.
‘Of course.’ He reached into his back pocket and handed the scowling man the small slip of paper. The man tore the end and returned the main piece to him.
‘Have a good night.’
‘Thank you...and you.’ He almost smiled but dare not chance it.
Strolling inside, he found the outer foyer to be deserted, but the show had already started so he registered no surprise. Upon opening the second door, the rawkish music washed over him, the darkness married with the flashing lights above the stage dazzling and disorientating him. Everything swam around him as dark silhouettes jumped up and down, waving their arms to the music and bouncing off each other. A jolt of annoyance rose through his body, his teeth biting into his lip. He arched his back and pulled himself to his full stature, the room around him stationary and crystal clear once more.
Slowly he moved through the crowd, tracing a line around the back to where the bar was. The potential! The crowd erupted into applause as one tune ended and another seemed about to start. He ignored what was said by the noisy man on stage, tried to block out the screeching of guitars being adjusted and tested. He scanned the massed bodies, his stomach beginning to rumble.
The next song began. The music was excruciating, a mass of noise and shouting that seemed to reverberate inside his chest. His eyes fell upon a woman a few paces away, jumping up and down to the rhythm. She smelt clean and fresh, and had a hint of that earthy smell that he could never quite place, but that usually meant high quality blood.
‘You’ll do very nicely,’ he said into the ambient noise around him.
He began to move closer, teasing himself with the anticipation, his incisors pressing uncomfortably into his cheeks. He couldn’t do it here but he didn’t want to lose track of her if the crowd shifted.
A large fat man sidled into his path barring the way. He gently pressed the man's shoulder, transmitting the irresistible urge to urinate to the man’s subconscious. The man hunched over and quickly waddled away crying out as he went.
He stood right behind her now, the smell was intoxicating. He reached out about to enthral her when the voice began. He stared at the stage in awe as the dark haired female began to sing along with the music. What had seemed a cacophony of sound lacking all profundity, now sounded like honey dripping from a crystal spoon, like the sigh of a spring breeze on the fresh leaves of the season, like...like..nothing he had ever heard before. With a jolt he realised that the woman was watching him, singing to him, her smiling eyes bewitching him. He shook his head from side to side, a feeling of sluggishness worming its way into his thoughts. The woman winked and turned away, the uncomfortable feeling vanishing as quickly as it had come.
He stood in a daze as song after song washed over him, not realizing that his original target was long gone, or that his mouth had fallen open, revealing more than he would usually have dared allow. Before he knew it, the crowd around him erupted and whooped, the members of the travelling band standing hand in hand, bowing down before them. He applauded without thinking, his claps louder than any others. Then the stage was empty, the crowd around him thinning to the point of isolation. His wits returning he made for the egress, and hastily slipped into the shadows.

He waited for a long time, his sensitive ears picking up scores of voices through a slightly open window at the back of the building. He strained to hear hers. He felt ill and weak, he hadn’t fed for months, not since that unpleasant business with the actress and her director. He could really do without that kind of exposure. His trembling hands toyed with the chain on his jeans, his grip flexing and bending the links until they snapped and tinkled to the floor. He didn’t notice.
‘I’m just going out for some air, it’s stuffy.’
He jolted to full awareness, it was her! Her voice sounded different, an exotic accent added a flavour to her words that didn’t come through to any great degree when she sang. It transfixed him. She was coming outside! A small side door banged open and she stepped out, still wearing her stage uniform which he had failed to notice before. She was petit, with a slender body, and her dark hair coiled around her collar. Her black jacket and trousers clung to her figure tightly as the heat had plastered them to her. She carried a small bottle of water in her hand which she sipped as she walked to a railing and stared out across the river.
He edged out from the shadows and soundlessly stalked forward, walking in that special way that, if compared, would make a slinking cat sound like a clumsy dog running on gravel. Nearing the door, he gently pushed it closed with one finger. No interruptions.
The woman ahead sighed and fanned herself with her free hand, the dank river air currents carrying back her scent to him. He stopped short and trembled. He might woo her instead! The trembling, the dazed mind, it might not be hunger after all, it could be love, truly and utterly. How could he feed from her against her will, a creature of such beauty and voice, it would be the most evil thing he had ever done. A tear stung the side of his eye as a leaden feeling pressed his stomach down. He was a monster. Maybe she could help? Maybe she could help him break his habits, his dark deeds. Maybe she would save him from his loneliness, help him find the light again, help him-
‘Don’t stand there all night, are you coming to talk to me or not?’ she said, her back still to him.
‘Oh...I’m sorry, I was being bashful.’
‘Come on, no need to be like that!’ she giggled.
He slowly moved towards her, he felt like he was floating.
‘I wondered what you’d think, a stranger accosting a pretty woman when she is alone in the dark, I didn’t want to scare you.’
He had almost reached her, he could feel the heat coming from her body, he could sense her pulse.
‘I thought you might be scared of me,’ she said. ‘Don’t worry, I don’t bite.’
He stopped. She spun around and buried something sharp and cold into the side of his neck. He opened his mouth to scream but she clamped a hand firmly over it. The world spun around him and he fell to his knees, she dropping to hers at the same moment, tightening her grip. Her eyes flashed close to his, mischief sparkling near their edges.
‘Didn’t you wonder?’ she asked smiling.
Gasping, he felt sticky fluid running down his neck and through his clothes, his eyes still locked onto hers.
‘Mmph.’
‘Was that a “What?” I think it was! Didn’t you wonder why we always tour out of the way places that no body would ever dream we would play at?’ She wrenched the object out of his neck, the fluid having stopped moments before. He saw her glance at the ornate knife before pushing it into his chest. His eyes screwed shut as he felt it piercing his heart, a white hot feeling rushing through his breast. Even at this stage his mind wondered if the pain was from the knife or from the desire unrequited. A tear dripped down the side of his nose when he managed to open his eyes again.
‘We know where you are, what you are, and what you do. We arrange our little tours when news of one of you bastards gets to us.’ She spat at him.
The night seemed darker now, the shifting fog revealing more figures around them. Standing. Watching.
‘Finish him Cristina,’ one of them said. ‘I don’t think he is the one!’
‘Marco, did I interfere when you got that piece of shit in Milan? What do you mean not the one?’
‘Our vamp is older, greyer, you know...shrivelled prune type face.’
She turned and looked at them, ‘So who’s this?’
‘Must be a random.’
Turning back she smiled and in a mocking voice said, ‘Poor baby, chose the wrong gig to just wander into did we? What’s your name?’ She eased her hand away slightly.
‘Thomas,’ he spluttered.
‘A nice name. Well Thomas...’ she said it like she was trying to swallow some unpalatable meat, ‘goodbye!’
‘Thank you.’ Thomas said weakly, his vision dark, his hearing fading.
‘Thank you?’
‘Yes...I thought you would set me free....not in this way...I was...half right.’
She pulled the knife out and let the body fall backwards, the corpse disintegrating as it hit the hard concrete.
‘Why do they all fucking fall in love with me?’ she sighed and stood up brushing herself down.
Andrea walked up behind her and put his arm around her shoulders, ‘Why do you think we do so well compared to the others? Every trap needs a honey.’
‘Don’t you mean needs honey?’
‘No. I got it right the first time.’
A tittering came from behind them. Cristina turned and shouted, ‘Marco stop being a dick and do something useful, like finding a broom for that mess! And Cristiano! Find out where the hell our real guy got to!’
Marco muttered under his breath, ‘You catch more flies with honey than with vinegar.’
Her hand cuffed him around the head, making his ears ring.
‘Hey!’ he shouted.
‘You wouldn’t want me to catch you Marco, do you know what happened to the last guy?’
She put her arm around him as they all moved back to the door, quiet laughter filling the murky air.


THE END



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This story was written after I was lucky enough to go and see Lacuna Coil live. They were totally amazing, and it was the best gig I have ever seen. They were as good in person as one their albums and I really hope I get to see them again. I kept thinking about the gig and thought that this was a fitting way of paying tribute. I thought they might like the idea if ever they read it themselves at least.

Lacuna Coil are : Cristina Scabbia, Andrea Ferro, Cristiano Migliore, Marco Biazzi, Marco Coti Zelati and Cristiano Mozzati.

The Official Lacuna Coil Website : http://www.lacunacoil.it/