My Dark Ambient 2021

By Casey Douglass

It’s almost the end of another year, so here is a post in which I look back at some of the dark ambient music that has caressed my lugholes over the last twelve months. The vast majority of albums mentioned actually released during 2021, but I included some older releases that were none the less, new to me in 2021.

When it comes to what I decided to include, I chose the albums that I kept drifting back to long after I had finished the review. Or, maybe I remember listening to them tens of times during a certain period during the last year. As I only tend to review releases that I feel reasonably confident that I will enjoy, even the ones that I don’t mention here but are sitting on this website, are still well worth checking out.

Before I get to the list, I just wanted to pay my respects to Mount Shrine once more. Cesar created some of the most dreamy and relaxing music, and I’m still so sad that Covid took him in April. His albums have been in my permanent rotation ever since I first listened to Ghosts On Broken Pavement. Shortwave Ruins is also an excellent album for winter-based relaxing, in my humble opinion. Rest in Peace Cesar.

On to the list.

Xmas is often a time when certain people listen to Gregorian-styled chants. This year, I intend to make full use of Monasterium Imperi’s Warhammer 40K inspired, chant-laced Dark Litanies of Terra (2020) and Mundus Sanctorium (2021). While everyone else can fill their minds with notions of beards in the sky, I’ll happily be absorbed into a bleak mental world in which humanity plunges into the depths of space, with a might and a zealousness that surpasses anything we’ve seen in real life.

A similarly space-based album is Sleep Research Facility’s dark ambient album Nostromo (2007). As I stated in my review, I have no idea why an Alien and a dark ambient fan such as myself, has taken so long to finally get around to checking out Nostromo. It’s like loving peanut butter and jelly and never thinking to try to put them both together. Unthinkable! Nostromo is a simmering, ominous journey through the decks of the titular spaceship, one that skilfully evokes the feelings of the film. I listen to it on an almost weekly basis.

After two sci-fi albums, next up is one that sends the listener back in time. Paleowolf’s Megafauna Rituals (2017) fills the ears with shuddering drumbeats and crumping footfalls as it conjures the spirit of the great mega beasts that roamed the planet during the last ice age. Shortly after I picked up this album, we had a few days of blizzard-like snow. As I walked across frozen farm-land, looking down as the snow whipped past my feet, I listened to Megafauna Rituals and it certainly added a wholly different feeling to the raw elements. If you buy this album and you are blessed with some harsh snowy weather, pop in your earphones and give it a listen as you stride out into it.

The Owl’s dark ambient album #44 - The Recluse (2021) is another that, at times, felt wintery, particularly the second track Glacial Beauty. #44 - The Recluse is an album that mixes warm smoothness with harsher noise, and was initially one that I wondered if I’d gel with. Well, I keep returning to it, and it’s still one of the best albums I’ve ever encountered for quieting my mental chattering and ruminations.

I kind of want to move onto a heat-based album now, all of this talk of snow and glaciers is decidedly chilly. BlackWeald’s 666 Minutes in Hell (2021) is just the ticket, as it’s an eleven hour journey through the realms of Hell. Some of the tracks are as long as some entire dark ambient albums! The soundscapes give the listener a great variety of brimstone-laced vistas and sounds to enjoy, from the impression of being buried alive, to a giant infernal furnace and abyssal depths with distant cries and strange ululations. Who needs eggnog when you can mentally stroll along the edge of a lake of magma?

Finally, Cities Last Broadcast’s The Umbra Report (2021) is an album that really masters the “invisible threat in a quiet room” kind of vibe. This album drip-feeds an ominous feeling of unseen forces shifting and stirring in what could be an otherwise mundane vista. There are strange warbling voices and notes that seem to ping from vast distances, straining to reach your ear. A tense, very atmospheric album, and like the others mentioned above, one I listen to regularly.

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That about does it for this year. Thank you for reading, and thank you if you are one of the regulars who often visits my website. I hope you have a good Xmas and New Year.

Dark Ambient Review: Nostromo

Review By Casey Douglass

Two of my most common internet searches are “dark ambient” and “alien”. Sleep Research Facility’s dark ambient album Nostromo has blipped on my motion tracker any number of times, but it’s only recently that I actually got around to checking it out. If you asked me why it’s taken me so long, I honestly have no idea. The album initially released in 2001 and was later remastered in 2007, complete with an extra bonus track. It is the 2007 version that I am taking a look at here.

Nostromo is an album inspired by the first eight minutes of the film Alien, the description setting the various tracks up as a journey through the decks of the ill-fated vessel. One of the things that I really enjoy about the Alien series of films is the harsh bleakness of the universe, a feeling boosted by the unnerving score, the industrial visuals and of course the unbridled hostility of the Xenomorph. It feels sharpest in the original trilogy but I still think it’s there in the latest offerings, to some degree. What I hoped for from Nostromo, was a series of tracks that tapped into this “bleakness”, hopefully by way of evoking some of the sounds and moods of Alien. It didn’t disappoint.

The album opens with A-Deck, a track that is based around a pulsing rumbling throbbing bass sound that feels like it’s rolling along narrow metal corridors and poking its way through the darkness. A growing, rougher tone and an airy shushing shimmer meld with it soon after, distant muted impacts creating the impression of vast machinery working. It’s toward the end of A-Deck and into B-Deck that one of my favourite sounds appears however.

By the time B-Deck arrives, the listener is listening to tinny, twisting electronic echoes, crispy static, and my aforementioned favourite sound, an understated echoing clicking. This clicking puts me firmly in mind of the small clicks of a motion tracker when it isn’t detecting any movement, just the quiet tick-tick-tick to show that it’s actually working. Other sounds swirl around this, with pulsing bass flowing and ebbing at intervals too. Again, another track that had me feeling like I was roaming a space vessel that is in hibernation mode, the barest glimmer of status lights all that shines from any reflective surfaces nearby.

C-Deck is a static-filled, quietly beeping track, one that shimmers and feels a little lighter. Maybe this is the deck where the life-support lives. At the least, the tones at times seemed a little like a mellow “ahh” tone to me, lending this track a more peaceful, though still dark quality. D-Deck starts with fast pulsing bass that is soon joined by quiet static, vibrating deep tones and flurries of subtle beeps. This feels more “engine roomy” than anything, the rotating whirring that comes later maybe even hinting at ventilation fans. It’s a very lulling track.

E-Deck sees us back in the static again, static that is soon punctuated by somehow sonorous chiming bass tones. It feels meditative, but even the static starts to pulse and react to the bass reverberations. There is also a high whining tone sitting comfortably behind things, one that again, seems to take on the general pulsing quality of the track. Narcissus is a bonus track that didn’t appear on the original album released in 2001, and it’s a great one to finish the album with. It’s a higher pitched, buzzing track, with sounds that fizz and roam from ear to ear. There is a light resonance to it, and a growing pulsing building agitation to the roaming tones. It feels like sanctuary, stress and hope. It deepens as it passes the midpoint, and slowly simmers with slow, possibly cryo-sleep breathing-like sounds as it plays out.

Nostromo is a lovingly dark yet peaceful tour of one of sci-fi and horror’s most well-known spaceships. It’s an album that serves up two things, depending on the listener. If you have never watched Alien, it gives you a deep, rumbling slice of space ambient to chill out to. If, however, you have foreknowledge of what befalls the Nostromo, the whole thing seems to have a calm before the storm feeling, or maybe, the sensation of the future haunting the past. However it might be described, I’ve listened to it every day for a week and I intend to listen again today.

Visit the Nostromo page on Bandcamp for more information.

Album Title: Nostromo

Album Artist: Sleep Research Facility

Label: Cold Spring

Released: 5 December 2007