Saturday, 28 September 2019

Dark Ambient Review: Beringia

Dark Ambient Review: Beringia

Review by Casey Douglass


Beringia


I’m often up for music that takes me on a bit of a journey. Whether explicitly with characters actually delivering dialogue, or more subtly, it’s a nice feeling to open your eyes again and feel you’ve gone from “there” to “here” in the hour or so you’ve been listening. Creation VI’s Beringia is a dark ambient album that falls into the latter category, a shamanic-styled journey of drones, rattles and drumbeats, that lull the mind and lead it into potent spaces.

The soundscapes on Beringia are textured and often rhythmic, with piping and clacking going hand in hand with anything from field-recordings of water to the twang of a jaw harp. That’s not even mentioning the drones and didgeridoo. The tracks carry themselves along in their own rhythm, the main drone or beat gaining flourishes or extra detail sounds around it but largely following a rhythmic, trance-like predictability.

I think my favourite track is Haunted Shore, a soundscape that really brought to mind a dripping, misty shore, with the sound of muted things knocking in the distance and a strange little repeating tone that seemed to hint at the unease of the location. It also features a sound that I liken to “insect gloop” and the kind of rain that sounds like it is hitting a plastic bag. A drone rises at the midpoint that lends the whole thing an added feeling of menace or threat, a bassy beat fleshing out the edges.

I did really enjoy the final track, Conversation of Elements too, another track that opens with the sound of water, but languidly builds up to feed the listener gusts of wind and later, the crackle of fire. There are rattling wooden wind chimes, exhalations and sounds of snuffly activity, that might just hint at being underground at one point. I guess that’s all of the usual elements covered, earth, wind, fire, air and water. If you include spirit in the mix, that would be the people making the journey, in my humble opinion. Or the listener, if you want to get a bit meta about it.

In Beringia, Creation VI has made another fine album, one that uses rhythm and shamanic/tribal sounds to create a space that is a refuge from the mundane world. Gone are the annoying chimes of social media notifications and outrage-fueled news. They get smothered and muffled by the warming drones, energised drum rhythms and insect-like buzzes that remind the listener of the more primal parts of the human psyche.

Visit the Beringia page on Bandcamp, and check out the track Haunted Shore below:


I was given a review copy of this album.

Album Title: Beringia
Album Artist: Creation VI
Label: Cryo Chamber
Released: September 17, 2019

Thursday, 12 September 2019

Bloody Red Nose: Fifteen Fears of a Clown Out Friday 13th

Bloody Red Nose: Fifteen Fears of a Clown Out Friday 13th


Bloody Red Nose: Fifteen Fears of a Clown

Bloody Red Nose: Fifteen Fears of a Clown is a new anthology of dark tales, tales in which the clown is the victim or hero, rather than the gurning evil-grin wearing psychopath. This particular anthology contains one of my own dark tales too.

The blurb: In a world filled with menace, dare to paint on a grin. The world is full of images of scary clowns: packs of grinning figures with knives plaguing towns; pom-pom clad serial killers; loners who like children in the wrong way. But clowns can be a force for good: it takes a kind heart to put other people’s joy first; keeping children entertained is honest work; what better disguise than one that makes the villains laugh? 
What if, rather than being childhood-spoiling serial killers, clowns were the victims or heroes of the story? When all the children at a party are poisoned, an entertainer’s profession and past both make him a prime suspect. An anti-corporate prankster discovers his guru might be just as callous as the capitalist world-view he claims to reject. A clown attempts to redeem the image of his profession by saving a group of teenagers from a serial killer. And twelve more stories of clowns facing humanity’s baser natures.
Bloody Red Nose: Fifteen Fears of a Clown releases tomorrow, Friday the 13th September 2019, and is available from the following retailers, among others, with the paperback costing £7.99 and the eBook version coming in at £3.99.

Amazon:


Kobo:


Barnes&Noble:


iBooks: 

Monday, 2 September 2019

GAME REVIEW: Flowscape

Flowscape is a kind of meditative creativity tool, the soothing music and gentle animation helping the player to create scenes and views that they might want to escape to. It also has a map-making feature for any DnD'ers out there. You can read my full review over on Geek Syndicate.

Flowscape

Saturday, 24 August 2019

Dark Ambient Review: Davidian

Dark Ambient Review: Davidian

Review by Casey Douglass


Davidian


Davidian is a dark ambient album from Council of Nine, and it’s an album that is themed around the twisted and corrupt things that come from the way cults and mass followings can rob humanity of, well, its humanity. The album art above is pretty stark in its imagery, a silhouette watching a church or temple burning in the distance. Sadly, it was one of only a few images that Davidian gave me.

To qualify that last sentence... one of the things that I most look for in the dark ambient that I listen to is the way that it can kick-start my imagination, the soundscapes prodding and hinting at images and scenes. Davidian is at the smoother end of the scale of dark ambient, and while relaxing, and containing a maudlin melancholy at times, it didn’t really enrapture my mind.

To be sure, there are some nice textures and touches. The first couple of tracks contain sounds that seem to hint nicely at some kind of buzzing hive-mind type activities. Revelator seems to embody a kind of electronic-surveillance-type aesthetic, and to also evoke a sunlight-through-dusty-windows-shining-on-a-dead-body feeling. Day 51 also has tones that made me think of a desert hallucination, but one taking place in the middle of the night. Certain notes and melodies seem to repeat through different tracks, tying them together into a cohesive whole, which is also something that I can appreciate.

I didn’t dislike Davidian, I just think that at this particular time, it probably isn’t for me. Maybe in the future I’ll come back to it and feel differently, but if I was going to listen to a Council of Nine album right now, I’d probably go back to the excellent Trinity as that was an album that really did grab me. Davidian is an album of tender tones and contemplative struggle, I’d just have liked it to have a harder bite.

Visit the Davidian page on Bandcamp, and check out the track Day 51 below:



I was given a review copy of this album.

Album Title: Davidian
Album Artist: Council of Nine
Label: Cryo Chamber
Released: August 13, 2019

Wednesday, 14 August 2019

GAMING NEWS: PC Building Simulator is Now Available on Console

GAMING NEWS: PC Building Simulator is Now Available on Console

PC Building Simulator

I always keep an eye on the various simulator games available for PC. It's one of the reasons that I love PC as a platform, as you get to see all sorts of interesting and niche creations. The Irregular Corporation's PC Building Simulator might have been deemed one of those games, once upon a time, but now, it's only gone and flipping released for PS4, Xbox and Nintendo Switch!

The original version of PC Building Simulator started out as a free tech demo on Itch.io and went on to sell 750K copies as a full release. It certainly seems to be a great example of an idea proving itself viable, which is refreshing in this day and age of rehash reboots and compulsive sequelitis.

PC Building Simulator
Tim's RED HOT Repairs sounds like a porno movie waiting to happen...
PC Building Simulator does come with a story mode, one in which you find yourself taking over your uncle's PC workshop, having to diagnose and fix your customers' PCs. There is also a Free Build mode in which you can build goliath PCs that you would likely only ever dream of owning in real life. As a consequence, the game features a variety of real world brands and components, so you can aspire to churn out those quad-sli gaming PCs to your virtual delight, and not have to remortgage your house to pay for them! The only thing you'll be missing out on are the sore thumbs from having to insert so many cables, and the swearing session as that CPU heat-sink assembly always ends up needing a lot more pressure to clip in place than you anticipated.

PC Building Simulator
If a GPU isn't overclocked, you obviously worship at the altar of Warranty.
Visit PC Building Simulator for a more in-depth look at the game, and keep an eye open for it in your gaming console's store. The pictures above are all from the PS4 version and the launch trailer below is one from the PC version. Just FYI.

Tuesday, 13 August 2019

Dinner Lady Doom and the Loss of a Maverick


Dinner Lady Doom and the Loss of a Maverick

By Casey Douglass



Casey Douglass


I’ve been spending a lot of time reflecting on various things that feed into who I am, whether my mental health issues, my health in general, my personality traits and even juicy things like Jung’s notions of the shadow aspect and repressed anger. While doing some general reminiscing, I came once again to the time in my life when I was only then starting school. I remembered two events that still make me a bit angry, and one, unrelated, but also in that same time period, that made me burst out laughing in the street. (I was already out for a stroll, I didn’t rush out there to burst into laughter, that would have been weird!). I’ve decided to have some fun with it, maybe channel my inner Bill Bryson, who knows. I’ve injected my own special brand of humour too, so it should be worth the read.

The events I’m going to talk about occurred when I was in infant school, so I would have been anywhere from five to seven years old at the time. It’s that time of life when all adults are pretty godlike to a little person, if for no other reasons than their height, and that they get to drive cars! When you falsely incur the wrath of even lesser gods, such as dinner ladies, it might just make the needle of doubt prick your skin, causing you to doubt their infallibility, and to doubt yourself. That sounds a lot darker than I was aiming for. Don’t worry, these are small events that aren’t scary or distressing, they are just ones that seem interesting for me to reflect on.

We were sat around a table in the dining hall eating lunch. I think everyone had those plastic lunch-boxes, the kind that flip open to reveal the packed lunches that our gods at home had so neatly provided. It was some time during this feast of sandwiches and Monster Munch that one of the dinner ladies came to our table. I remember her as the jokey friendly one; she was always light-hearted. Before I knew it, I’d been plucked from the table. I’d been accused of saying something heinous about her by a fellow diner. I have mental images of a spinning half-eaten square of sandwich, rotating lazily in the air and hitting the tabletop moments after my baffled face was closed safely inside the nearby classroom. I can’t ever remember being that cavalier with food though, and I’d like to think I wolfed it down like a trooper before being hoisted away.

So what had I said? Apparently, I had said that this particular dinner lady was a... I can hardly say it... it’s so deviant... a... a... silly old woman! I mean, wow, what a little gobshite! The thing was, I had no memory of saying such a thing, none at all! And by all accounts (one person) I was accused instantly after the foul words had been uttered by my mouth! I honestly don’t remember having memory problems back then, but then, how would I know? It felt like the 80s equivalent of a Twitter witch-hunt, but without the all-caps and bad spelling, which is saying a lot considering we were all still learning our apples from our elbows at that age. Sorry, I digress.

I told them (‘the man’) that I didn’t say it. I told Mum that I didn’t say it, after they’d unleashed the heavily artillery and sent a letter home with me. I remember saying that I didn’t know what they were talking about as I was standing at our living room window, looking out into the garden while I ate a banana. Further proof that my memory is pretty damn good! I also don’t only remember events when a banana is present. Just saying. I think it was around this point that I must have thrown in the towel and decided to say sorry anyway. I mean, what else was I to do? You know those stupid sayings like “If you swear, a kitten dies!” or something? I’d imagine there’s an equivalent for a kid having to say he did something just because there was no other way, maybe “If you say you did something that you know you didn’t, a trainee lawyer rips up their paperwork and becomes a reality TV star!” I don’t know.

Shortly after this, there was another incident with another dinner lady. This one was not the nice one, she always seemed to be in a grump and was generally avoided by the kids. I think it was a lunchtime where we couldn’t go outside because it was raining (kids in the 80s were obviously highly soluble, so thank the heavens we were spared a messy end that day!). I think I might have been talking too loudly or being over-excitable, or something like that. Whatever it was, I remember I had been doing it. I had no problems being punished for stuff I’d actually done! I was marched across the room to sit alone, quietly in the corner, but with the embellishment that apparently, I’d kicked this particular dinner lady in the leg as she’d led me! It was Silly Old Woman Gate all over again! I had no memory of it! And it’d just happened! Why did this keep happening to me? I can’t remember if I said sorry this time or if I just stayed quiet and sulky (or even both), but I wasn’t impressed.

Now I don’t want to overstate these two events too much. All kinds of things go toward making a person who they are today. Thinking about why I’ve always struggled with self-confidence and that I’ve always tended towards being a “people pleaser”, it’s interesting to me that these two events have never left me, and I don’t have that many memories left from that time in my life. To be accused of something you know you haven’t done is horrible, but to buckle under and say sorry because you’ve no other option? That really sucks. I also wonder if it helped feed into my later OCD, particularly with regards to wanting to be understood and being afraid that people will misunderstand me. I mean, shit! If you can be punished for something you didn’t say, the sky is the limit for all the ‘people-pleasing-obsessive-word-checking’ your energy can muster!

Hang on, I hear you cry, where is the event that made you giggle with glee in the street? It’s coming, I haven’t forgotten. I do just want to say before I move on though, that I’m not angry at the dinner ladies, I know they were probably doing the best they could and that these almost ‘nothing’ incidents would only likely matter to the person at the heart of them, which was me. I’m also glad that I knew nothing about the unconscious mind or the shadow aspect to our personalities back then, as if the right chain of thoughts had struck me, I might have pondered: “What if I did mutter nasty things about elderly ladies and kick the grumpy people who tell me off? Why wouldn’t I know? Maybe there is an evil Casey that comes out when my mind is elsewhere!?” etc. That would have been a real cluster-fuck to deal with at five years old.

Now, onto the humour. I think I was seven, so in my final year of infant school. It was lunch-break, apparently my witching hour time of the day, that time of the day when life’s strange stuff seemed to happen for me. Well I was seven, midnight didn’t exist for me back then. I was walking down the corridor and I remember thinking that, in all the time I’d been at school, I’d never wet myself. When you start school, there are always kids who have ‘accidents’, misjudgments of timing and whatnot. They get whisked away from the seat next to you, the only hint of their having been there a little yellow puddle with the odd bubble popping on the surface. Maybe this is why we weren’t allowed out at lunchtime? It was too close to looking like we’d dissolved! Anyway, for some reason, I wondered if I was even capable of wetting myself. I think I kind of prided myself on my bladder controlling abilities, I didn’t think I could purposefully override them. Dubious, I walked into the toilet to have a go.

Now I know what you are thinking, I’m just not sure if you are stuck on the “Why on earth did you want to try to pee yourself!” or if you have moved on to “Why go into the toilet if you are going to try and piss yourself?” Answer to the first, I was curious, and maybe I felt that the window of opportunity to do such a thing, and not get told off, was closing for me. As for the second question, to be honest, I think it was a concentration thing. No-one was in there so I could just stand and think. Focus. Go with the flow. I’m very happy to report that I surprised myself and succeeded beyond my wildest dreams.

It was as I stood there, alone in a toilet, with a warm, wet leg, that I realised that I hadn’t fully thought this through. It was more than the amount of urine where you could just think “That’ll dry. That’ll be fine!” I went to find a dinner lady and might have said something along the lines of “I’m afraid I’ve had an accident.” I’m certain I didn’t admit to the experiment. There was no drama. No real embarrassment either, on my side at least. I think I was given a towel to dry myself off and then I got on with the rest of the afternoon. This is the thing I’ve been chuckling about all day today, from having the original thoughts about all of this, to writing the thing just now. And hey, a tale of a dinner lady where I wasn’t told off for something I hadn’t done! How quaint!

Thinking about it now, what I want to know is, where has that maverick kid gone, the one who wanted to find out if he could piss himself, so he just tried it? I admire my younger self. He wondered if he could do something, he tried and he succeeded. Sure, he might have benefited from taking a moment longer to think about the after-effects, but it was a decent experiment. In the present day, I tend to wonder if I can do something, and then often decide that I can’t, without even trying. Or worse, in a way, I wonder if I can do something, I do it, and then still think that I can’t, that it wasn’t good enough or worth doing.

Three years after this, when I was ten, my Obsessive Compulsive Disorder (OCD) began, triggered by a few stray thoughts and a massive mental overreaction, by a personality that was likely already struggling in ways I have no idea about now. And possibly because of a bump on the head that happened on the same day. Before that day, I might have had my issues, but after that day, I was like a different person, nervous, timid and racked with anxiety.

Thinking back to the moment that I passed The Golden Test (as I’m now inclined to call it), I can only wonder at that seven year old chap who took a risk, just because he could. Post-OCD beginning, even post-treatment, I find myself living with a mental life containing so many rules, so much ‘do-goodism’ and ‘people pleasing’ that I wonder if this little piss-soaked maverick is still inside me somewhere, shaking his head and urging me to ‘Go with the flow!’ more often. I’d like to think so, and I’d like to get in touch and let him know that I need his help.

(The picture at the top of the article is me on a trip to some kind of safari park. I think I may have been slightly older than seven, but it was still at a time when my OCD hadn't emerged, so basically, happier times. I don't have any beard stubble, so it's not that recent at least.)

Sunday, 11 August 2019

My Top Dark Ambient Relaxation Albums


My Top Dark Ambient Relaxation Albums

By Casey Douglass


My Top Dark Ambient Relaxation Albums


It occurred to me the other day, that the selection of dark ambient albums I carry around with me on my smartphone really have become mainstays of my ambient listening. While I enjoy the more jagged variety of dark ambient, those albums that contains clanks, bangs and screeches from the netherworld, they aren’t the most conducive to relaxation. Relaxation is one of the main purposes that my music listening serves, which is possibly why dark ambient, as a genre, has even begun to push heavy metal down my pecking order. The albums listed below are all dark ambient albums that have been mainstays for me, many of them for years.

Azathoth
Azathoth – Cryo Chamber Collaboration - When Azathoth came out, I was a tiny bit “It’s not as good as Cthulhu”. Little did I know that over the years, Azathoth would slowly supplant Cthulhu as my most listened to dark ambient album. In a large part, it’s my “go to” depression album. That’s not to say that it depresses me, but that there is something about the soundscapes on Azathoth that really suck me in and spit me out feeling a little bit better. In one particularly bad spell, I remember it was winter, but sunny outside. Naturally I closed my curtains. I got into bed under the covers and laid a variety of pillows across my body and face, leaving just the smallest of gaps for my nose to take in fresher air. I had my headphones on and Azathoth playing.

The opening swirls of Azathoth are like an inky blackness that just pull the listener down. For me, it’s the audio equivalent of burrowing through the earth, sliding down to dwell where the dark gods live. Rusty chains swing from caves that are seen for only an instant, nebulous mists billow and waver and the very air tastes ancient and yet sustaining. If I drop off to sleep, and I often have, I am woken by the swells of sound at the end of track two, swells and sways that make me feel like a lost ship buffeted on a roiling sea. I genuinely feel renewed after its two hours of darkness, so it easily goes at the top of this list. One thing I will say though, as a warning, is that some way intro track two, there is a segment of what sounds like a pebble being thrown hard at a cave wall. It happens a few times and, if I am half asleep, occasionally it does jolt me with adrenaline.

Cthulhu Cthulhu – Cryo Chamber Collaboration - Cthulhu was my previous number one... but we are still on good terms. If you always wondered what it would be like to listen to Cthulhu rising from the deeps, this is the album for you. Wet feet patter on stone, water glugs and leviathans moan as the listener delves deep into the sea. I think one of my favourite parts is when the soundscape begins to warp and judder, like a strange distortion has settled over things, twisting sounds and muffling the various bassy rumblings. I often doze off after that part hits me, maybe it does something to my brain. As with Azathoth, there is a part that sometimes jars me. A voice begins to intone the well-known Cthulhu R’lyeh prayer at one point, and that often stirs me to wake up. On the plus side, this means that I get to hear the sirens and screams that sound near the end, just as Cthulhu rises and scares the crap out of people.


The Edge of Architecture
The Edge of Architecture - Proto U – To be honest, I could have picked a number of albums by Proto U to add to this list, but I think The Edge of Architecture edges it. Ha! The first track is a little ‘harsh’ to relax to, featuring the chatter of air traffic controllers as it does, but the tracks that come after are smoother. One features the audio effect of notes popping like soap bubbles, another contains the clever use of radio static. Others feature some kind of field-recording that adds a pleasing layer to the tones and drones that stitch everything together. I find The Edge of Architecture a very peaceful album, and this is why I think I listen to it as much as I do. Another album that is also well worth looking at is Earth Songs, one in which Proto U teamed up with Dronny Darko to give us an album that follows the evolution of our planet. Earth Songs has dark soundscapes, but also ones alive with the bustle of birds and nature, and it’s a very pleasing ‘chillaxing’ album.

Myth About Flat WorldMyth About Flat World – Creation VIMyth About Flat World is a more shamanic-feeling album to me, especially with regard to some of the rattlings and beats it contains. It has meditative, whimsical soundscapes, ones that conjure the images of myth and legend, the shamanic tree of life, chanting, sighs and whispers. It’s a rhythmic foray into more primal themes and archetypes, and an album that I find enraptures my mind. It feels a bit like going on a holiday, but the kind of holiday where you get stuff done and aren’t just lazing around by a swimming-pool, watching tourists' fat backsides chewing on overly tight swimming costumes. The kind of holiday I mean is where you explore, go off the well-trodden paths, and learn something about yourself along the way.

Ghosts on Broken Pavement
Ghosts on Broken Pavement – Mount ShrineGhosts on Broken Pavement is the most recent album on my list, but one that has quickly established itself in my permanent listening habits. If you find rain relaxing, take a listen to this album. Mount Shrine does stuff to rain that makes it sound even better! In my opinion of course. Each track on Ghosts on Broken Pavement seems to take you on a slow stroll, from the inner city and out into nature, the wind and traffic giving way to a lonely train-station and the mountains beyond. The field-recordings that pop up are soothing and scene-setting, from a "wind blowing around a courtyard" to the gentle ting-ting-ting of said train-station's bells. It just feels very soothing, and again, like a pleasant stroll away from the cares of everyday life.

***

There we have it. Scanning back, I see I wrote the most about Azathoth, by some distance, but I feel I gave a good accounting of why I like each album that I’ve listed. I genuinely listen to most of these albums at least once per week, and considering some have been out for four or five years... that’s quite something. There are plenty of other albums that I’ve reviewed and thoroughly enjoyed, but it’s not always easy to guess which ones will end up in my continuous listening pile. These ones have, and here I stand, shouting about their virtues to all who’ll listen.

Thanks for reading. If you have any other dark ambient albums that you find particularly relaxing, please feel free to let me know what they are called and why they appeal to you. You can do this below in the comments or by finding me on social media :).